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Trivia Contributor
This was when CP first heard of Michael Grange:-) The Michael Grange CD was an addition that CP made. The script had Peter giving the Ancient a Jimi Hendrix CD along with the others.

Michael Grange is a friend of Rob Moses' (Kahn). He gave CP the CD of Michael's and CP liked it so much he bought twenty and handed them out to the cast and crew. I guess the rest is history:-)
 Monica Sztybel
As for the John Lennon references, this episode was shown in May of '95, not December. Sorry.
 Monica Sztybel
Script differences  
The script has some nice descriptions of the scenes and what Peter goes through.
 Monica Sztybel
The script has Jody, not Skalany, except in the park. They had Ariel finding Peter.
 Monica Sztybel
Instead of him heading to Chandlers when he's hit with the blow-dart. It happens on a practice range. Angel is described as a shadowy figure that slips around through the shadows, as Peter fires off shots at cardboard targets. He's confident and in control. She comes leans out and fires the dart at him. When she stands over him, she leans down as if to caress him. Peter falls back, "gasping"....
 Monica Sztybel
Then they go to the Ancient's party.

At the end of Chin's speech about everyone showing up at the party, he says, "So I talk to cops. I talk to pushers and whores, too. Uh, sorry Jody."

Jody: "I've played a hooker. The Chief seems to think I make a good one."
 Monica Sztybel
When Ariel finds Peter, he is described as, "staring straight ahead. Eyes unfocused. A girl's hand reaches into frame and touches his shoulder. It's as if it awakens him. Camera pulls back to include Ariel...."

She asks if he's okay. He asks her, "What am I doing here?"
Ariel: "Gonna ask you the same question. I'm sleeping in the park these days. Like camp, you know? Nice, warm nights. Been watching you since I woke up. Except for the hour I want to Chinatown. Can't believe you missed the Ancient's birthday party."

The dialog is the same after that, except rather than ask for a ride to his car, Peter tells Ariel not to sleep in the park.
 Monica Sztybel
At Chandlers, the conversation between Strenlich and Broderick is longer.

Broderick: "Looks in pretty bad shape to me."
Strenlich: "I was thinking the same thing."
Broderick: "Delayed shock?"
Strenlich: "I've seen it before. In Nam. He's listening to what's being said, but he's not hearing anything except someone else's voice."

Kelly also has more to say.

Peter: "About standing you up last night...."
Kelly: "Forget it. You don't owe me any explanations. We're dating again. Sometimes I think it's going to last forever. Other times maybe five minutes. After Rebecca...I know how much you loved her...what her death meant to you. You need time to space yourself."
Peter: "It's not Rebecca's memory. Something else. Something terrible..."

And it goes on from there.

When Peter sees Angel as the waitress, she says, "Something to drink? Some wine?" (a smile) " Or would you prefer blood?" There is no flashback to young Peter in that instance.

In the script the real waitress is a blonde.

When the Brujo's image appears to Peter behind the bar, the reverse angle on Peter is of young Peter with Strenlich and Broderick on one side of him and Kelly in the booth in the background.

Young Peter: (terrified) "No! No!"

Camera picks up Kelly in the booth. "Peter! What's happening?"

The camera returns to Peter and it's the adult Peter looking at Terry. Strenlich reaches out a hand. "Peter, what is it?"

"Peter throws off Strenlich's hand and pushes his way through the crowd toward the front, leaving Kelly alone."
 Monica Sztybel
When Caine has the flashback to the temple, there is a whole section with Young Peter and Angel.

"A teenage Angel traps Young Peter. His back is against a wall of candles. He can't retreat further. She's still laughing. She speaks softly to him. We can't hear what she says over the drone of the monks' chanting off-camera. He smiles. She reaches up and takes his face in her hands. He's startled, a little afraid, a little excited as she pulls him to her. Her lips brush his. Then she bites his lip, drawing a little blood, throwing back her head and laughing. Young Peter pulls away from her."

And that's the end of the flashback.
 Monica Sztybel
When Peter arrives at the hotel and tells Jody why he's there, she comments, "Sounds like a rehearsed speech." He snaps at her. The rest is similar to the episode.
 Monica Sztybel
When he leaves, she watches him go, knowing something is wrong. She says softly, "What do I do about this?"
 Monica Sztybel
Peter's outburst to Caine is different. "You know, I used to be considered one hell of a cop before you came back into my life. I acted on instinct. I trusted my nerves. Now I hesitate before I fire my gun! Your words are in my head. All the time! `Peter, there's always another way!' And just maybe that hesitation gets an innocent person killed. Maybe it's time for me to go back to being a good cop. Stay out of my way. Stay out of my life. Give me back my identity...."

This is when he goes on about everyone watching him and his desire to keep him job.
 Monica Sztybel
When Campos' entourage enter the auditorium, Peter nods as if hearing a voice no one else hears.

When Peter draws his gun, Jody moves toward him saying, "No, Peter. No."
 Monica Sztybel
When Caine finishes the fight with the Brujo, the man transforms into a wolf and limps away.
 Monica Sztybel
When the spell is broken, Peter's knees buckle. Jody catches him and holds him up. When she asks if he's all right now, he replies softly, "Yeah."
 Monica Sztybel
Back at the junkyard, Caine is supported by the Ancient the same way Jody supports Peter.
 Monica Sztybel
In the tag, when Peter sees the wolf, he doesn't shrink away. He says with a nod, "There will be another time."
 Monica Sztybel