The Innocent
| Trivia | Contributor |
| Mimi Kuzyk
(sp) who portrayed the judge, was also in Ancient Love as
the Ancient's daughter. |
Monica Sztybel |
| The shoe shine man was
also in Blackout as a security guard, but I still haven't
checked to see if he also was in Initiation as one of the
Mayor's aides. |
Monica Sztybel |
| Debuts of Dennis Long
and Sun Chu. |
Monica Sztybel |
| When Nicky sifts through
his files, he comes across one titled "Penn
Teller" (Penn and Teller the comedians). |
Monica Sztybel |
| Script differences | |
| The first scene at the
courthouse, where Peter comes across Caine is slightly
different, he says he's there because Strenlich said
Caine was looking for him. Jody's not in the scene. Later
on, at the precinct (after Caine has his scene with the
shoeshine man), they establish that Jody's on her way to
court. Meanwhile, Strenlich barks, "Look alive,
Peter. Reports don't write themselves." |
Monica Sztybel |
| As Jody is leaving the
precinct, she sees Broderick having an altercation with a
woman: Broderick: "Come on, lady. It's a dead pigeon. Get it out of here." Katherine: "It's not dead! It was weaving in and out of traffic! Someone almost ran over it! I can still feel its heart beating." Broderick: "Can't you see we're busy? This isn't a vet clinic, it's a police station!" Peter approaches the two. Peter: "What's the problem?" Katherine: "It's the bird. It needs help." Powell: "It was almost run over in the street." Peter: "Let me see it." Description: "Peter takes the unconscious bird from Katherine. he first smells the bird. Then, inhaling deeply, Peter puts his mouth up to the bird's beak and gently blows. Broderick and the others in the room watch in astonishment as the bird comes magically to life." Powell: "I see it, but I don't believe it." Katherine: "It's a miracle!" Strenlich: (entering the scene) "What the hell was all that about?" Peter: "It has a mild case of carbon monoxide poisoning. Probably from all the car exhaust fumes." (to the woman) "It just needed a blast of oxygen." (he shrugs) "Learned it from my dad." Peter hands the bird casually back to the smiling woman. Powell: "Boy, if I get hit by a car, I want you for mouth to mouth." Peter: "Can I get that in writing?" Strenlich: "Don't you have enough paper to worry about?" Peter gets the hint and goes back to his desk. The next scene has him sitting by his papers, when he notices a pigeon feather on his sleeve. He picks it up and has the flashback about the temple doves. He comes out of it at the same point as in the episode, but he's still sitting at his desk. Strenlich drops another file on top of the pile. And Peter snaps back to work. |
Monica Sztybel |
| Then they go on to the
jury selection scene, through the whole selection up to
Jody's phone call to Peter. In the script, instead of
Strenlich stopping Peter for information, he overhears
the conversation and volunteers to come along. Then
realizes about Peter's paperwork and says, "Me and
my big mouth." The discussion of the case between Peter and Strenlich is switched in the script, where Peter is giving Frank all the info. Why does he know so much, you ask? Because, as Peter says (on a serious note), "He used to be my math and science teacher at the orphanage." Strenlich: "You knew the victim?" Peter: "I hadn't seen him for ten years. But I'll never forget him." Once they're inside the courtroom, it's Peter who points out Traeger's business partner, not Strenlich. |
Monica Sztybel |
| When Peter expresses his
disbelief at his father "functioning as an ordinary
member of society", Strenlich adds: "Your
father is anything but 'ordinary'." |
Monica Sztybel |
| There is not indication
that Caine is not believing the story. Nor do we see a
telepathic connection between him and Peter (nor a
flashback). Instead, Peter just knows. When they're
outside the courtroom, Jody doesn't ask if Peter got a
telepathic message. Instead the lines are: Strenlich: "What's up, Peter? Why the rush?" Peter: "There's something very weird going down here." Strenlich: "Says who?" Peter: "Trust me. I know my father!" When Strenlich says Peter can't go digging into the files and that it's a closed case, Peter replies with: (determined) "Traeger was my teacher. A brilliant mind who raved about the future of computers when they were only used by governments and big business. In fact, he was the only teacher I ever had who I could relate to." That's when Jody says, "Don't fight him, Frank." And the dialog continues as in the episode. As Peter leaves, Frank says, "Anything to avoid paperwork." |
Monica Sztybel |
| At Nickie's office, the
dialog is the same up until Peter comments about how
often his father isn't proven wrong. Nickie then asks
Peter why he's so interested in the case. Peter says,
"Let's just call it a personal favor -- for an old
friend." Then he goes on to ask Nickie to find out
more. Peter's the one who says, "Let's kick some
Hard Ass." |
Monica Sztybel |
| The next scene is Peter
waiting for Caine in the foyer of the courthouse.
Although he knows that Caine has sworn an oath not to
share his thoughts on the case, Peter asks him about his
feelings. Caine doesn't give in. He walks outside,
leaving Peter standing in the courthouse with no
confirmation of his suspicions. Saul, the shoeshiner,
walks up to him. Saul: "He's a man of honor." Peter: "I know. I'm his son." Saul: "You are a lucky man." Peter acknowledges this with a nod, then heads off. This is when Mr. Duncan is approached by the killers about his wife's kidnapping which did happen in the same sequence as in the episode. This scene is in the courthouse parking lot, rather than at his house. |
Monica Sztybel |
| When the jurors are in
the deliberation room, Duncan doesn't call Caine a
Shiatsu priest. It just ends with "Enlighten
us." |
Monica Sztybel |
| In the scene at Terence
Blackwell's office, rather than Peter getting flustered
by his lousy acting, when Blackwell asks him for
identification, Peter whips out his badge and rises. Peter: "Peter Caine, police detective precinct 101. Blaisdell's my captain. Give him a call, I'm sure he'd love to chat with you." He heads for the door as a furious Terence hits his intercom. "Security! Security!" But Peter is gone. |
Monica Sztybel |
| When Peter has the
flashback again, it's after he's jumped up in bed and is
driving down the street. They only show the part where
Dennis gives in, then stops there. |
Monica Sztybel |
| At the precinct after
Broderick walks off the script says, "Suddenly
sensing a presence, Peter rises and walks toward the
stairwell leading to the lockers." That's how I
perceived he knew Caine was there:-) |
Monica Sztybel |
| There's a brief clip at
the Duncan's home after Peter and Jody leave the
precinct. The killers are getting restless. One of them
is touching a child. The other, Conrad, says, "Hands
off the merchandise." Then Conrad threatens Mrs.
Duncan by saying that if her husband doesn't come
through, he'll let the guy have his way. |
Monica Sztybel |
| In the scene where Peter
shows up as the mailman, he doesn't show her his badge.
He just winks at her. |
Monica Sztybel |
| Saul is not a part of
the fight against Terence Blackwell. Caine takes him out
on his own. |
Monica Sztybel |
| The tag has Peter
watching Strenlich and Jody take away Conrad and the
others, then he goes to the remainder of the flashback
where he discovers that Caine used dry ice for the trial
at the temple. Back at the present, Peter says to Caine as he approaches, "So, do you think you've changed the entire course of the American legal system?" Caine: "No." Peter: "I don't know if I'll figure you out." Caine: "What is to figure?" That's when Judge Reynolds comes up to thank him. When Mason approaches her, he compliments her on having a "stroke of genius" for allowing a juror to question the witnesses. Then he goes into the fact that he could not find the Stevens vs. Wambaugh case. Instead of "Hubba hubba" after the judge kisses Caine. Peter says, "Whew. What was all that about? If I didn't know any better, I'd say --" Caine slaps Peter across the cheek and smiles. That's when he says, "Judge not, lest yee be judged." |
Monica Sztybel |